Or get involved in this unusual encounter. It is clear anyway: where Tukur and Tatort are on it, there is generally no crime food from the light segment in it. Tukur has identified Felix Murot three times as LKA man and that was enough to add his picture to the entry “” idiosyncratic “” in the imaginary Tatort lexicon, right next to Borowski’s. Great team: Barbara Philipp, Ulrich Matthes and Ulrich Tukur on the fringes of the filming of the “” Tatort “” episode “” Born in pain “”. (Photo: dpa) That does not change in the latest case either. “” Born in pain “” is the name of the template by Michael Proehl and together with director Florian Schwarz the old connection between monkeys and sugar is completely revived. The focus of the murderous aria is the reunion of Murot with his old friend Richard Harloff (Ulrich Matthes).
The two of them once not only banked the police school together, but also shared the beguiling girlfriend. While Murot was climbing the ladder, Harloff stumbled upon a drug deal that had gone wrong and finally left for Bolivia with his pregnant lover, where he not only became a father, but also became a kind of super gangster and drug baron. That he made his way from South America to tranquil Wiesbaden and returns to the life of the former companion for a simple reason: revenge, of course. Harloff junior is actually Murot’s son, the mother had died giving birth, Harloff senior never got over it. Around the duel between the two friends, an exuberant series of cinematic allusions, quotes, cross-references and tributes relax. Corpses pave his way. (Photo: dpa) A kind of showdown on the platform – appropriately at the beginning of the film – turns out to be a reference to Sergio Leones “” Play me the song of death “”. The underlying intrigues of the “” Ménage à trois “” goes back to “” Jules and Jim “”, the brightly colored freeze frames could also come from Tarantino’s portfolio of quotations, as could the fountains of blood from the ballet-like splatter slaughter between a SEK command and a horde of bad fingers. The whole thing is held together by a fairytale narrator who guides the viewer through the plot.
The fact that it is about Alexander Bosco (Alexander Held), who was shot long ago, adds another, irritating intermediate floor. The artificial-theatrical is the program here. “” No blood, nothing is real. All deception, all illusion. A picture. “” Explains Bosco, like the choirmaster of a Greek tragedy. And what would it be without a corresponding soundtrack?
No less than 23 excerpts from classic works, some of them newly recorded for this “” Tatort “”, can be heard by the HR Symphony Orchestra, including Grieg’s Holberg Suite and the irresistible “” Israelite Choir “” from Verdi’s Nabucco, here gaudy and contrary with the already mentioned blast between the police and the rabble.https://123helpme.me/biology-essay-writing-service/ This time the “” Tatort “” functioned on two levels: There is the case itself, the duel between the two alpha protagonists Murot and Harloff, which causes excitement as does its quotation-rich integration in a dazzling network, which placed Shakespeare and action, “” Kill Bill “” and Truffaut, Strauss, the Bible and “” 100 masterpieces “” next to each other. All the elaborate movie quotes bingo would fizzle out without the appropriate ensemble. Ulrich Matthes’ eyelash-free gaze is difficult to escape anyway, Golo Euler as Harloff junior, staggering between rebellion and bondage, would like to see more often and Tukur also knew how to surprise: it was sensational to see how the one from economic miracle preferences and slippery cinema got crooked early on doing a few gun salvos from the hip with relish. That in the end Murot’s assistant Wächter becomes the guardian (wink, wink) of the tragic secret by hiding Murot’s son, is another point. L’art pour l’art also at the end: the last tracking shot to a mysterious image at the Wall – not just since Jack Torrance’s ominous New Year’s Eve in the ballroom of the “” Overlook “” hotel, a coherent final chord in minor. Source: ntv.de “Is locked up with a cannibal and a trigger-happy girl: Inspector Murot (Ulrich Tukur). ( Photo: HR / Bettina Müller) Every case is a direct hit: The Wiesbaden-based “Tatorte” “with Ulrich Tukur in the lead role have regularly raised the Germans’ favorite Sunday thriller to a new level over the past few years. This time, this sinks into the abyss – on purpose. Around 6,500 Feature films are produced year after year and there is seldom someone with what it takes to be a classic, and films that cite the popular classics of their time so skillfully are even rarer That they become something of a meta-classic themselves – like John Carpenter’s “Assault” from 1976.
In the Wiesbaden “” Tatort “” they want to go one step further and without further ado they produce a homage to the B-movie pearl. Whether that can work? Screenwriter Clemens Meyer has a guest appearance as a drunk radio DJ. (Photo: HR / Bettina Müller) At least the starting position couldn’t be better: Ulrich Tukur and his commissioner Murot have been a guarantee for extraordinary crime stories in recent years, after eight exceptional cases in a row, the man has earned some advance praise. The screenplay comes from the pen of Clemens Meyer, who is without question one of the best contemporary German writers because of books like “” Als wir träumten “” – and who has already shown how good, among other things, with “” In den Gänge “” he can work with director Thomas Stuber. They all have a soft spot for American B-movies from the 60s to 80s, which they can finally live out in “” Attack on Wache 08 “”. The story is easy to tell: Murot visits his old colleague Brenner (Peter Kurth), who has been on duty in a police museum that has been set up like a police station from 1984 after being wounded. The whiskey that I brought with me is barely open, the cigars have only just been lit, when a distraught girl with a smoking gun and a prisoner transport with a flat tire arrive at the guard at almost the same time – and after the newcomers an army of Hessian gangsters who want to avenge the death of a gang member and The composition of the trapped troop is as varied and improbable as it should be in a proper B-movie: There is a cannibal with a heart, a Bible-savvy girl with a killer instinct and an aging bull with a wandering bullet in his back and a cigar stump in the corner of his mouth.
Together they have to fend off wave after wave of attacking gangsters, who attack conspicuously mindless and look more like zombies. Anyone who has ever seen a zombie film at some point in their life knows that this is of course wanted – all other viewers should clap their hands in front of their heads and wonder what kind of nonsense that is. As always in B-Movies, waiting in front of them Windows are not good. (Photo: HR / Bettina Müller) And that is exactly where the problem of the strip lies: “” Attack on Wache 08 “” is basically a single film quote. Connoisseurs are happy about scenes like the one when Murot bites the hand of an attacker and thus, so to speak, reverses the current narrative of the carnivorous zombies.
But because by far not everyone grew up with Romero and Carpenter movies, the authors feel compelled to perform a balancing act that should not really satisfy anyone in the end: Meyer and Stuber keep giving their protagonists the references to the desired film references in the mouth. “” This is the ‘Night of the living dead’ “” someone shouts as grabbing gangster hands reach through the barricaded windows. And so that everyone knows that the bomb robot that appears later is supposed to be reminiscent of a legendary tin film box, it says “” It’s like ‘Number 5 lives’! “” The strength of Tukur – “” Tatorte “” has always been that both film nerds and Sunday viewers could have fun with them: If you lacked references to the cinematic role models, you could still look forward to a well-made and always coherent crime thriller. This is different with “” Attack on Wache 08 “”: If you are not familiar with B-Movies, you will shake your head uncomprehendingly at the many plot holes and all the other stuff that defines Lofi-Kino. Unfortunately, die-hard cineastes are only partially happy with the new Murot, to blame for the poor and extremely unsatisfactory end. Source: ntv.de “Inspector Murot separates opinions: While critics and fans see the cases with the eccentric investigator as” “completely “” Celebrating great art, many are just annoyed and want “” a completely normal ‘crime scene’ “” with murder and manslaughter on Sundays.
But do both go together? By Julian Vetten “” Fucked “” is usually not part of the vocabulary of the fine-minded inspector Murot. But probably to that of his gold chain-wearing doppelganger, whom he met purely by chance on vacation – and who was dead the next morning. By Julian Vetten For more than two weeks, a newsfeed about the US election has been running directly under our Corona ticker, thanks to an old white man with sometimes absurd news.
But the turning point is coming – and it’s not just the consonants that are softening. A column by Julian Vetten Non-profit organizations often suffer particularly badly from the Corona crisis: Not only are the usual sources of income disappeared, urgently needed donations no longer flow or only sparingly. A company with a long philanthropic tradition wants to save what can be saved.
By Julian Vetten Feverishly, cities and communities all over Germany are preparing for the peak of the corona wave. The Bundeswehr is also there – and its reservists. They have to give up their private lives for the time being to help. By Julian Vetten, Hamburg Studies suggest: The bigger the crisis, the more children are born nine months later.
If that’s actually the case, a roaring mess awaits us this Christmas – it wouldn’t be the worst. A column by Julian Vetten Just a few weeks ago, Germany could justifiably be called a digital developing country without having to fear much headwind. That is changing at a dizzying speed – with exciting prospects. A column by Julian Vetten contact blocking is stupid, self-isolation is even more stupid, and no Netflix account in the world can change that.
Boredom is just a question of perspective – and a state that we can use if we only allow it. A column by Julian Vetten Because German farmers could soon find themselves in dire straits, one of their umbrella organizations is now getting inventive: A dating platform is intended to attract unemployed city dwellers to the fields and prevent the corona virus from affecting the asparagus. Column by Julian Vetten Curfew, ban on contact, quarantine: the vocabulary we use today as a matter of course sounded like terms from a distant, crisis-ridden country just a few weeks ago.
What does it do to us? By Julian Vetten A Hamburg doctor sees Germany facing a “” month-long corona quarantine “”, the Federal Minister of Economics at least reckons with “” five to six weeks “”. A long time in which a lot will change for us – how do we best deal with it? By Julian Vetten Thousands of migrants have been stuck between Turkey and Greece since the Turkish president declared the border open.
While the Greek government is countering it with all its might, the fear of a new edition of the refugee crisis of 2015 is growing. By Julian Vetten I can hold on to the bus and train without a guilty conscience, how long does the corona virus last outside – and we will all die ? The more that is said and written about the coronavirus, the wilder the rumors sprout. Time to clean up. By Julian Vetten In the shadow of the Thuringia crisis and the coronavirus, you can forget that climate change will continue while we are dealing with other issues.
Frank Plasberg counteracts this on Monday evening. By Julian Vetten One and a half weeks after the election scandal in Thuringia and less than a week after AKK’s announcement of resignation, the future of the CDU looks bleak: Is the last big people’s party threatened with a fate like the SPD? And what happens then?
By Julian Vetten Minus interest per se is a rather ungrateful topic for a panel discussion – and for many it is more of an aid to sleep than excitement. The fact that the good Susan Link represents the sick Frank Plasberg as a moderator doesn’t make things any more exciting. By Julian Vetten A US president in “” jungle “” mode kills a “” walking violation of international law “” with a drone attack – and thus almost triggers a new Gulf War. Now the guns are silent for the time being, the only question is: for how long?
By Julian Vetten While the cities are clogged, the area is bleeding out: future forecasts rarely put people in a good mood. There are also many positive examples away from the metropolises that encourage courage. We look back on an exciting year.
By Julian Vetten Sometimes less is simply more. But not in terms of health, or is it? Experts insist on a drastic hospital reform, Frank Plasberg takes an unusually clear position with “” Hart aber fair “” – and the Danes show how it works. By Julian Vetten Almost ten years of life expectancy separate high earners from socially disadvantaged people – and that in affluent Germany. Frank Plasberg’s guests are looking for the reasons for the shocking statistics.
By Julian Vetten Shortly before the imaginary half-time break, things are looking bad for the grand coalition: the citizens are dissatisfied with their work, the end of it is being dredged violently from outside – and there is hardly any resistance from inside. Is the GroKo now falling over the basic pension? By Julian Vetten In reunified Germany, the smallest district in Thuringia had a very poor starting position: the toy industry was on the ground, unemployment was high.
Today, Sonneberg tells a success story of reunification that hardly anyone knows. By Julian Vetten, Sonneberg Since two voter communities in Bad Frankenhausen in northern Thuringia have been picking up citizens with real content and open ears, the AfD has no longer seen a country there. What began as a protest against a planned large hotel and the SPD mayor could also set an example on a larger scale.
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